All Giotto 's Paintings

The Painting Names Are Sorted From A to Z
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Choice	ID	Image	Painting (From A to Z)	Details
	62994		. Wedding Procession	1304-06 Fresco, 200 x 185 cm Cappella Scrovegni (Arena Chapel), Padua Mary walks in front of her companions and is led to the house other parents, where she is received by musicians. This group alone lends a cheery air to the sombre procession. The bay window of the house, from which a palm leaf juts out as an allusion to the imminent birth of the Lord, appears again in the representation of the Annunciation. In this way Giotto incorporates the Bridal Procession of the Virgin into the sequence of the narrative. The fresco was damaged by the humidity. Artist: GIOTTO di Bondone Painting Title: No. 12 Scenes from the Life of the Virgin: 6. Wedding Procession , 1301-1350 Painting Style: Italian , , religious
	52369		Allegory of Chastity	c. 1330 Fresco Lower Church
	62982		Allegory of Chastity	1330 Fresco Lower Church, San Francesco, Assisi Extremely vivid and bizarre figures of demons are being cast into the abyss. They are Unchasteness (Immunditia) with the boar's head, Burning Desire (Ardor) with the flaming head, and Love (Amor) with the clawed feet and the hearts tied around him. The round is completed by the spider-legged, devilish Death (Mors). Artist: GIOTTO di Bondone Painting Title: Franciscan Allegories: Allegory of Chastity (detail) , 1301-1350 Painting Style: Italian , , religious
	44382		Allegory of Obedience	c. 1330
	52359		Allegory of Poverty	c. 1330 Fresco Lower Church
	33310		Anna and Joachim Meet at the Golden Gate	mk86 1303-1305 Fresco, c.185x200cm Padua,Arena Chapel
	21150		Anna and Joachim Meet at the Golden Gate (mk08)	1303-1305 Fresco.c.185x200cm Padua,Arena Chapel
	44364		Annunciation to St Anne	200 x 185 cm
	52385		Annunciation to Zacharias	1320 Fresco, 280 x 450 cm
	44356		Apparition at Arles	1297-1300 270 x 230 cm
	52392		Apparition at Arles	1325 Fresco, 280 x 450 cm
	44358		Apparition to Fra Agostino and to Bishop Guido of Arezzo	1300 270 x 230 cm
	52366		Ascension of Christ	c. 1300 Fresco Upper Church
	52389		Ascension of the Evangelist	1320 Fresco, 280 x 450 cm
	57224		Assisi Saint - Francois accept the stigma	mk255 about for years in 1295-1300 plastic painting dyes, gold background, Yang wooden 3.13 meters high 1.63 meters wide Louvre
	62987		Baptism of Christ	1304-06 Fresco, 200 x 185 cm Cappella Scrovegni (Arena Chapel), Padua In spite of the high quality details of this scene, the irrational representation of the water in which Christ stands indicates that Giotto was still influenced by medieval iconographic conventions. Artist: GIOTTO di Bondone Painting Title: No. 23 Scenes from the Life of Christ: 7. Baptism of Christ , 1301-1350 Painting Style: Italian , , religious
	44308		Baroncelli Polyptych	c. 1334 Tempera on wood, 185 x 323 cm
	62956		Baroncelli Polyptych	1334 Tempera on wood Baroncelli Chapel, Santa Croce, Florence Mary bows her head reverently in order to receive the celestial crown from the hands of her Son. Mother and Son form a whole through their gestures, but mainly through their garments: both are clothed in radiant bright white and pink worked through with gold. The elegance of their clothing, in particular the trumpet-shaped sleeves on Christ's robe, indicates a great affinity with the style of courtly Gothic. Artist: GIOTTO di Bondone Painting Title: Baroncelli Polyptych (detail) , 1301-1350 Painting Style: Italian , , religious
	42609		Bewening of Christ	MK169 detail of 9.80 Fresco 231x202cm
	44329		Birth and Naming of the Baptist	280 x 450 cm
	48620		Birth of Christ	mk191 1302-1305 Oil on canvas
	62983		Birth of Jesus	1304-06 Fresco, 200 x 185 cm Cappella Scrovegni (Arena Chapel), Padua The simple shelter under which the Virgin and her Child seek refuge is situated in the middle of a bleak rocky landscape. Mary turns on her side on the bed in order to receive the new-born baby from the arms of a midwife ?a natural and spontaneous gesture, which is captured by the way mother and child look at one another. Although on the periphery, this exchange of glances seems to be the actual centre of the portrayal, which is expanded to include the scene of the Annunciation to the shepherds. Artist: GIOTTO di Bondone Painting Title: No. 17 Scenes from the Life of Christ: 1. Nativity: Birth of Jesus , 1301-1350 Painting Style: Italian , , religious
	19244		Boy with Flute	1740-50 Oil on canvas. Ca' Rezzonico, Venice.
	44361		Canonization of St Francis	270 x 230 cm
	44342		Christ among the Doctors	200 x 185 cm
	44374		Christ Among the Doctors	1310
	62986		Christ among the Doctors	1304-06 Fresco, 200 x 185 cm Cappella Scrovegni (Arena Chapel), Padua In a rich red robe, the little twelve-year-old Jesus sits in the temple and holds a discussion - as his gesture quite clearly indicates. The arches of the architecture seem to echo the young boy's speech and at the same time to concentrate events on him. The scribes listen closely and in doing so show quite different reactions. Only one of them is completely distracted by the appearance of the worried parents. Artist: GIOTTO di Bondone Painting Title: No. 22 Scenes from the Life of Christ: 6. Christ among the Doctors , 1301-1350 Painting Style: Italian , , religious
	52387		Christ before Caiaphas	1304-06 Fresco, 200 x 185 cm
	52396		Christ Enthroned	c. 1330 Tempera on panel
	44348		Confirmation of the Rule	270 x 230 cm
	21955		Coretto (mk14)	1305 Fresco Cappella degli Scrovegni,Padua
	62963		Creation of Adam	1304-06 Fresco Cappella Scrovegni (Arena Chapel), Padua The medallion showing the Creation of Adam is at the left side of the Raising of Lazarus. Artist: GIOTTO di Bondone Painting Title: Creation of Adam (on the decorative band) , 1301-1350 Painting Style: Italian , , religious
	19969		Crucifix with the Virgin (mk05)	Wood 89 1/4 x 88 1/2''(227 x 225 cm)Campana Collection,Rome entered the Louvre in 1863 M I
	33298		Crucifixion	mk86 1303-1305 Fresco Padua Arena Chapel
	21138		Crucifixion (mk08)	1303-1305 Fresco.Padua, Arena Chapel
	62955		Daedalus after	1334 Marble Museo dell'Opera del Duomo, Florence In Greek mythology Daedalus stands as a creative worker at the beginning of all art: Daedalus, the inventor of the labyrinth and of flying, is supposed to have been the first successfully to create a sculpture with arms akimbo and parted legs. Since he is thus supposed to have given life to figures for the first time, he is considered as the very first artist. The design of this relief, though not its execution, derives from Giotto. It shows Daedalus in a striding posture on top of a cupola that acts as a launching pad. All of his energy seems directed towards lifting his heavy, feather-covered body into the air. This concentration of energy corresponds to the energy of Giotto's painted figures. With one exception, this is the only portrayal of Daedalus to exist between the era of ancient Rome and the age of the Renaissance. Artist: GIOTTO di Bondone Painting Title: Daedalus , 1301-1350 Painting Style: Italian , , religious
	44357		Death and Ascension of St Francis	270 x 230 cm
	52393		Death and Ascension of St Francis	c. 1325 Fresco, 280 x 450 cm
	52383		Decorative band with figure	1304-06 Fresco Cappella Scrovegni
	62969		Decorative band with figure	1304-06 Fresco Cappella Scrovegni (Arena Chapel), Padua The band is at the left side of Joachim among the Shepherds. Artist: GIOTTO di Bondone Painting Title: Decorative band with figure , 1301-1350 School
	62971		Decorative band with figure	1304-06 Fresco Cappella Scrovegni (Arena Chapel), Padua The band is at the left side of the Marriage of the Virgin. Artist: GIOTTO di Bondone Painting Title: Decorative band with figure , 1301-1350
	52381		Decorative band with figures	1304-06 Fresco Cappella Scrovegni
	52382		Decorative band with figures	1304-06 Fresco Cappella Scrovegni
	62976		Decorative bands	1304-06 Fresco Cappella Scrovegni (Arena Chapel), Padua The decorative bands on the walls above contain several scenes from the Old Testament and busts of saints and prophets. The Old Testament scenes are of a very modest standard, and owe their presence in the chapel to the Gothic tradition of representing parallels between the Old and New Testament. Some of the figures of saints and prophets are of very high workmanship, and among the most impressive of Giotto's repertoire. The two scenes on this wall detail are from the life of Christ: 11. Expulsion of the Money-changers from the Temple and 20. Mourning of Christ. Artist: GIOTTO di Bondone Painting Title: Decorative bands , 1301-1350 Painting Style: Italian , , religious
	62977		Decorative bands	1304-06 Fresco Cappella Scrovegni (Arena Chapel), Padua The decorative bands on the walls above contain several scenes from the Old Testament and busts of saints and prophets. The Old Testament scenes are of a very modest standard, and owe their presence in the chapel to the Gothic tradition of representing parallels between the Old and New Testament. Some of the figures of saints and prophets are of very high workmanship, and among the most impressive of Giotto's repertoire. The two scenes on this wall detail are from the life of Christ: 8. Marriage at Cana and 23. Pentecost. * Keywords: *********** Artist: GIOTTO di Bondone Painting Title: Decorative bands , 1301-1350 Painting Style: Italian , , religious
	44315		Descent into Limbo	1320-25 Tempera on wood, 45 x 44 cm
	62953		Design sketch for the Campanile	1334 Parchment Museo dell'Opera del Duomo, Florence This plan shows the design for the bell tower of the Florentine cathedral. It most probably stems from Giotto, who was made "capomaestro" in the year the foundation stone was laid. Only the lowest storey was built according to this plan. Artist: GIOTTO di Bondone Painting Title: Design sketch for the Campanile , 1301-1350 Painting Style: Italian , , religious
	1783		Detail of an Angel	1305-13 Arena Chapel, Padua
	48622		Detail of Birth of Christ	mk191 Oil on canvas Sheep on the ground
	48623		Detail of Birth of Christ	mk191 Oil on canvas
	48624		Detail of Birth of Christ	mk191 the face of the Virgin Mary
	51729		Detail of Joachim-s Dream	nn09 c.1305-13
	51727		Detail of the Flight into Egypt	mk009 c.1305-13
	51730		Detail of The Lamentation	nn09 c.1305-13
	51757		Detail of the Last Judgment	NN09 c.1305-13
	51728		Detail of the Presentation at the Temple	nn09 c.1305-13 Fresco
	52371		Dream of Innocent III	1297-99 Fresco, 270 x 230 cm
	44362		Dream of St Gregory	270 x 230 cm
	44345		Dream of the Palace	270 x 230 cm
	44351		Ecstasy of St Francis	270 x 230 cm
	62989		Ecstasy of St Francis	1297-1300 Fresco, 270 x 230 cm Upper Church, San Francesco, Assisi This is the twelfth of the twenty-eight scenes (twenty-five of which were painted by Giotto) of Legend of Saint Francis. The five scenes from The Vision of the Flaming Chariot to St Francis in Ecstasy (No. 8-12) are characterized by inferior workmanship, especially in the figures. This scene was executed partly by assistants. Artist: GIOTTO di Bondone Painting Title: Legend of St Francis: 12. Ecstasy of St Francis , 1301-1350 Painting Style: Italian , , religious
	62967		Elijah on the Fire-cart	1304-06 Fresco Cappella Scrovegni (Arena Chapel), Padua The medallion showing Elijah on the fire-cart is at the left side of the Ascension. Artist: GIOTTO di Bondone Painting Title: Elijah on the Fire-cart (on the decorative band) , 1301-1350 Painting Style: Italian , , religious
	33308		Enthroned Madonna with Saints	mk86 c.1305-1310 Tempera on wood 325x204cm Florence,Galleria degli Uffizi
21148		Enthroned Madonna with Saints (mk08)	c.1305-1310 Tempera on wood, 325x204cm Florence Galleria degli Uffizi
52386		Entry into Jerusalem	1304-06 Fresco, 200 x 185 cm
44350		Exorcism of the Demons at Arezzo	270 x 230 cm
44331		Expulsion of the Money-changers from the Temple	1304-06
44330		Feast of Herod	280 x 450 cm
40128		Flight into Egypt	mk156 200x185cm 1303-05
62984		Flight into Egypt	1304-06 Fresco, 200 x 185 cm Cappella Scrovegni (Arena Chapel), Padua On a narrow rocky path, the procession seems to move past the viewer. Equipped with everyday objects, everyone is in motion, looking at one another and talking to one another - only the Virgin Mary sits still and unmoving. The statuesque nature other upright position is further reinforced by the rock behind. Although the child is as natural as can be, the central figures in the picture thus stand out from their surroundings and have a sublime effect. Artist: GIOTTO di Bondone Painting Title: No. 20 Scenes from the Life of Christ: 4. Flight into Egypt , 1301-1350 Painting Style: Italian , , religious
19968		Francis Receiving the Stigmata (mk05)	Wood 123 1/4 x 64 1/4''(313 x 163 cm).From the Church of San Francesco in Pisa entered the Louvre in 1814 INV
62981		Franciscan	1330 Fresco Lower Church, San Francesco, Assisi In a well-fortified castle, Chastity rules: only angels can enter here. In order to reach her, a long path must be followed. The representatives of the three divisions of the Franciscan order (a lay brother, a Franciscan and aClare) have climbed the hill. They too, as the middle scene shows, will be washed and dressed by angels. On the other side the extremely vivid and bizarre figures of demons are being cast into the abyss. They are Unchasteness (Immunditia) with the boar's head, Burning Desire (Ardor) with the flaming head, and Love (Amor) with the clawed feet and the hearts tied around him. The round is completed by the spider-legged, devilish Death (Mors). Artist: GIOTTO di Bondone Painting Title: Franciscan Allegories: Allegory of Chastity , 1301-1350 Painting Style: Italian , , religious
52367		Frescoes in the fourth bay of the nave	1290s Fresco Upper Church
44339		Frescoes in the second bay of the nave	Oil on canvas
44310		GIOTTO	1320-25 Tempera on wood, 81 x 55 cm
44370		God Sends Gabriel to the Virgin	1306 230 x 690 cm
44343		Homage of a Simple Man	270 x 230 cm
44352		Institution of the Crib at Greccio	270 x 230 cm
56590		jesus infor oversteprasten kajafas	mk248 sodra vaggen, arenakapellet, padua giotto foruandlar taket med bjalkarna i kajafas sal till ett kistlock, det finns ingen mojligbet att fly. det finns sa mycket rorelse i bilden att det tar ett tag innan man ser fesus sorgsna blick mot den balvt dolde petrus, som just fornekat att ban var en av bans larjungar.
44363		Joachim among the Shepherds	1304-06 200 x 185 cm
62991		Joachim among the Shepherds	1304-06 Fresco, 200 x 185 cm Cappella Scrovegni (Arena Chapel), Padua Sad and introverted, Joachim arrives among the shepherds. Using the contrast between the lively sheep, the dog that greets him, and the knowing glances of the shepherds, Giotto elucidates his state of mind in the voluminous, closed form of the saint. Artist: GIOTTO di Bondone Painting Title: No. 2 Scenes from the Life of Joachim: 2. Joachim among the Shepherds , 1301-1350 Painting Style: Italian , , religious
33309		Joachim Takes Refuge in the Wilderness	mk86 c.1303-1305 Fresco. c.185x200cm Padua,Arena Chapel
21149		Joachim Takes Refuge in the Wilderness (mk08)	C.1303-1305 Fresco.c.185x200cm Padua, Arena Chapel
62992		Joachim's Sacrificial Offering	1304-06 Fresco, 200 x 185 cm Cappella Scrovegni (Arena Chapel), Padua In the open countryside, Joachim has sunk to the ground and catches sight of an angel, who indicates to him that his sacrifice has been accepted. Colour is used to establish a connection between these two figures, illustrating the miraculous nature of events. As so often, Giotto also employs a figure here who comments on the action ?the praying shepherd. In his colorings, he is closer to the rocks and the animals. He too recognizes the hand of benediction in the sky. Artist: GIOTTO di Bondone Painting Title: No. 4 Scenes from the Life of Joachim: 4. Joachim's Sacrificial Offering , 1301-1350 Painting Style: Italian , , religious
44365		Joachim-s Dream	200 x 185 cm
52375		Joachim-s Sacrificial Offering	1304-06 Fresco, 200 x 185 cm
34384		Joachims Traum	mk92 1304-1306 Padua,Arenakapelle
62961		Jonah Swallowed up by the Whale	1304-06 Fresco Cappella Scrovegni (Arena Chapel), Padua The medallion showing Jonah swallowed up by the whale is at the left side of the Lamentation. Artist: GIOTTO di Bondone Painting Title: Jonah Swallowed up by the Whale (on the decorative band) , 1301-1350 Painting Style: Italian , , religious
44332		Judas-Betrayal	150 x 140 cm
30389		Lamentation over the Dead Christ	mk68 Fresco Padua Arena Chapel c.1306 Italy
30947		Lamentation over the Dead CHrist	mk68 c.1306
56591		lasarus ateruppstar fran de doda	mk248 norra vaggen, arenakapellet, padua lasarus,bror till marta ocb maria, bar varit dod i fyra dagar. hans systrar bar blokt nog tackt over ocb munnar nar graven oppnas ocb fesus mirakulost nog ateruppva cker bonom till livet. giotto bar placerat fesus ocb lasarus sa att de aterspeglar varandra ocb budskapet ar att fesus inom kort ocksa ska do ocb ateruppsta fran de doda.
30388		Last Judgement	mk68 Fresco Padua Arena Chapel c.1306 Italy
62962		Last Judgement	1306 Fresco Cappella Scrovegni (Arena Chapel), Padua The detail shows Christ the judge is enclosed within a mandorla, surrounded by angels. * Keywords: *********** Artist: GIOTTO di Bondone Painting Title: Last Judgement (detail) , 1301-1350 Painting Style: Italian , , religious
44327		Last Judgment	1000 x 840 cm
52380		Last Judgment	1306 Fresco, 1000 x 840 cm
62959		Last Judgment	1306 Fresco, 1000 x 840 cm Cappella Scrovegni (Arena Chapel), Padua This extensive depiction of the Last Judgment in the west of the church is dominated by the large Christ in Majesty at its centre. The twelve apostles sit to His left and to His right. Here the two levels divide: the heavenly host appears above, people plunge into the maw of hell below, or are led by angels towards heaven. The way this large fresco is divided into registers is traditional. But if we look at Giotto's invention in detail, then his novel attempts at visualizing different spheres, as well as abstract beliefs, become particularly apparent. In the center of the representation, Christ is enthroned as supreme Judge in a rainbow-colored mandorla. The deep, radiant gold background, the style of painting, and the delicate substance give the impression that the heavens have opened in order to reveal the powerful, extremely solidly modelled figure of Christ. Different levels are likewise alluded to when the choirs of angels disappear behind the real window, or when the celestial watch in the upper area of the picture rolls back the firmament, behind which the golden-red doors of the heavenly Jerusalem shine forth. The black and red maw of hell, which seems to anticipate Dante's "Inferno", is different again in its impact. The way in which Giotto establishes a connection between the present-day world of the faithful and the world beyond all time, the world of the Last Judgment, contains another interesting detail. The donor Scrovegni, still alive at the time, kneels next to those being resurrected and offers "his" church to the three Marys, assisted by a priest. The latter is portrayed in a most lively manner: his robes hang - painted quite illusionistically - over the arch of the portal. Artist: GIOTTO di Bondone Painting Title: Last Judgment , 1301-1350 Painting Style: Italian , , religious
62964		Last Judgment	1306 Fresco Cappella Scrovegni (Arena Chapel), Padua This detail represents angels located below the Apostles on the left side of the fresco. Artist: GIOTTO di Bondone Painting Title: Last Judgment (detail) , 1301-1350 Painting Style: Italian , painting
62965		Last Judgment	1306 Fresco Cappella Scrovegni (Arena Chapel), Padua The Blessed, men and women, representatives of the secular and the sacred, are accompanied on their ascent by angels. The differently formed, thoroughly individual heads seen in profile, the gazes, the posture of the hands and the whole bodies are focused as if spellbound on the higher goal. Artist: GIOTTO di Bondone Painting Title: Last Judgment (detail) , 1301-1350 Painting Style: Italian , , religious
62966		Last Judgment	1306 Fresco Cappella Scrovegni (Arena Chapel), Padua The ground has opened up and the naked people clamber out of their coffins. Some are still completely occupied with themselves or are helping one another; others have already raised their hands in prayer. They appear as full of hope as the ranks of the Blessed above them. There, men and women, representatives of the secular and the sacred, are accompanied on their ascent by angels. The differently formed, thoroughly individual heads seen in profile, the gazes, the posture of the hands and the whole bodies are focused as if spellbound on the higher goal. Artist: GIOTTO di Bondone Painting Title: Last Judgment (detail) , 1301-1350 Painting Style: Italian , , religious

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